This seems sounds this is a good metric on the surface, but let’s try it out.
Corned beef on pizza? Sounds great. Sauerkraut? Uhh, ok, maybe. Mayonnaise? What the actual fuck…
This seems sounds this is a good metric on the surface, but let’s try it out.
Corned beef on pizza? Sounds great. Sauerkraut? Uhh, ok, maybe. Mayonnaise? What the actual fuck…
It’s not 40K, but I thoroughly enjoyed Mordheim: City of the Damned, despite some bugs and rough AI in places.
Profession can absolutely affect volume. Even without any hearing damage, any job that regularly requires that you project can become a habit.
I’m a chemistry professor at a community college, fairly well educated, and I flatter myself to say reasonably intelligent, but I still slip into what my wife calls my “teaching voice” in some social settings or even occasionally at home.
That’s a good point. I’m familiar with the concept, but didn’t realize it had been formalized so distinctly, so I suppose you’re right.
It’s interesting, though, because one would think that’s there’s always going to be a balancing act between wanting to make your message more well known and wanting to keep it unadulterated.
Knowing those two, they probably love the irony of a corporation paying money to use RTJ’s anti-capitalistic, transgressive songs in an ad, let alone a brand like Cadillac.
But hey, it’s “ju$t” money
Yeah, I tend to agree, although I recently went back and listened to Incubus recently, and it’s mostly pretty good (although still dated)
The Mars Volta and White Stripes are still solid, too. Oasis still sounds ok, and Radiohead is obviously phenomenal, but they are far and away the exceptions. There was some good stuff that made it to alt rock radio stations, but the “dominating the world” bands are pretty bad now. Papa Roach, Nickelback, 3 Doors Down, etc. should be relegated to the dustbin of history