There are some spectacles of US decadence and decline that almost seem too on the nose – the sort of orgies of vulgar provocation or fantastic lack of self-awareness that exceed the limits of parody, so that if they were in a novel, you’d think the writer was laying it on a little thick. Among these is the all-female flight by Blue Origin, the Jeff Bezos-owned rocket tourism company, which on Monday launched a phallically shaped pod full of women – including the pop star Katy Perry and Bezos’s partner, Lauren Sánchez – on a brief trip into space.

The flight, which was promoted for months in advance, was touted as a triumph of feminism, a win for science and an embrace of the kind of expansive, curious human spirit of striving and possibility that once animated both. Instead, the flight served as a kind of perverse funeral for the America that once enabled both scientific advancement and feminist progress – a spectacle that mocked these aspirations by appropriating them for such an indulgent and morally hollow purpose.

  • IndustryStandard@lemmy.worldOP
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    5 days ago

    But the flight, and its grim promotional cycle, might be most depressing for what it reveals about the utter defeat of American feminism. Sánchez, the organizer of the flight, has touted the all-female crew as a win for women. But she herself is a woman in a deeply antifeminist model. It is not her rocket company that took her and her friends to the edge of space; it’s her male fiance’s. And it is no virtue of her character that put her inside the rocket – not her capacity, not her intellect and not her hard work – but merely her relationship with a man. (The fact that the rocket itself looks so phallic does not help to lessen the flight’s message that the surest way for women to raise themselves in the world is to attach themselves to a man.)

    What here is AI?